PANELS
"Iannix Xenakis and Persepolis: Music as Spectacle", a talk by Carey Lovelace as part of a day-long symposium entitled "Persepolis: Then & Now," organized by New York University Center and the Grey Art Gallery. New York City, November 21, 2019.
"The Impact of Feminist Theory on Contemporary Art", Wild Noise: Art in Times of Change. Museo Nacional de Bellas Artes, Havana, Cuba, June 27, 2015.
Co-presenting with Chief Curator of the Hammer Museum, Connie Butler.
"Women, Archives, and Artistic Legacy, The Feminist Collecting Initiative at the Archives of American Art". With artists Joyce Kozloff, Joan Semmel, and Mary Frank, and Catherine Morris, Sackler Family Curator, Elizabeth A. Sackler Center for Feminist Art Brooklyn Museum. (moderator) DC Moore Gallery, New York City, April 22, 2015
"Documenting Social Injustice: A Panel Discussion with Susan Meiselas, Shirin Neshat and Lisa Ross" (moderator) Robert Wilson's Watermill Center studio, New York City, March 3, 2015
"Venice Conversations: Public Art and Public Perception" (moderator)
Bloomberg Lounge, Palazzo Peckham, Venice, Italy, June 1, 2013
"Gender Politics in the Workplace, Part I"
College Art Association 101st Conference, New York, February 13, 2013
“Looking at Sound: The Exhibition Iannis Xenakis: Composer, Architect, Visionary,”
College Art Association 99th Conference, New York, February 9, 2011
“XENAKIS: Composer, Architect, Visionary”; Curatorial Talk
LA Museum of Contemporary Art, Pacific Design Center November 14, 2010
“The Francesca Woodman Project: Ecouter - Space 7” (moderator),
The Martin E. Segal Theatre Center, July 2009.
“From the Eye to the Ear (And Back Again): The Intersection of Visual Art and Modern Musical Composition” (moderator),
College Art Association, Los Angeles, February 2009.
“How A.I.R. Changed the Art World: Feminist Intervention over Thirty-seven Years” (panelist),
New York University, Fales Library and Special Collections, September 2008.
“The East End: A Sense of Place” (moderator), Parrish Art Museum, July 2008.
“Collaboration & Contemporary Feminist Practice” (panelist),
Bronx Museum of the Arts, March 2008.
“Art Collectives, Feminism, and Activism” (moderator), PS1-MoMA, February 2008.
“Art Fights Back: The Legacy of Feminist Art Activism Against War, Sexual Violence, Racism, and Environmental Destruction" (chair), with Betsy Damon, Joyce Kozloff, Suzanne Lacy, Faith Ringgold, and May Stevens, American University Museum, Washington, DC, November 2007.
“Compass,” Women’s Group Show” (moderator), Black and White Gallery, Brooklyn, October 2007.
“Global Feminisms,” curators talk with Linda Nochlin, Maura Reilly(moderator),
Brooklyn Museum, March 23, 2007.
“Digital Art and Criticism” (moderator), Dahesh Museum, AICA/USA Annual Meeting, May 2006.
Journalism panel, Women’s Caucus for Art, Boston, February 2006.
“A Critic is a Critic is a...,” DUMBO, Brooklyn, October 2005.
“The Role of the Critic in Contemporary Society” (moderator),
National Critics Conference, Los Angeles, May 2005.
US Critics Panel, 9th Cairo International Biennale, December 2003.
“Guilty Pleasures: Post-Feminist Art”, College Art Association, New York City, February 2003.
“Critics United: A Dialogue Begins”, American Theatre Critics Association, Chicago, June 2002.
“Lisa Yuskavage”, The Photography Institute, Columbia University, June 2002.
“Digital Art”, New York Women in Film, New York, May 2002.
“Committing Heresies: A Women’s Art Magazine”, A.I.R. Gallery, New York City, October 1997.
“The Lone Rangers: Beyond Early Feminist Orthodoxy”, College Art Association, February 1997.